From Gabriele Galimberti’s Toy Stories project — children photographed among their most prized possessions.

…even children worlds apart share similarities when it comes to the function their toys serve.

Galimberti talks about meeting a six-year-old boy in Texas and a four-year-old girl in Malawi who both maintained their plastic dinosaurs would protect them from the dangers they believed waited for them at night – from kidnappers and poisonous animals respectively.

More common was how the toys reflected the world each child was born into: so the girl from an affluent Mumbai family loves Monopoly, because she likes the idea of building houses and hotels, while the boy from rural Mexico loves trucks, because he sees them rumbling through his village to the nearby sugar plantation every day.

At LACMA’s Stanley Kubrick retrospective, Kubrick’s handwritten note to a concept design from Saul Bass.

At LACMA’s Stanley Kubrick retrospective, Kubrick’s handwritten note to a concept design from Saul Bass.

“Inspiration is for amateurs.”

Chuck Close from the book Inside the Painter’s Studio:

Inspiration is for amateurs — the rest of us just show up and get to work. And the belief that things will grow out of the activity itself and that you will — through work — bump into other possibilities and kick open other doors that you would never have dreamt of if you were just sitting around looking for a great ‘art idea.’

And the belief that process, in a sense, is liberating and that you don’t have to reinvent the wheel every day. Today, you know what you’ll do, you could be doing what you were doing yesterday, and tomorrow you are gonna do what you did today, and at least for a certain period of time you can just work. If you hang in there, you will get somewhere.

Reading Old Yeller for my current gig (not an adaptation) brought me to the strange idea of animals as heroes.  Strange because, whether it be K9 units or a War Horse, the animals are trained to do heroic acts.  A human hero’s greatest attribute is their innate selflessness.  Can that be said of heroic animals?  And if selflessness can be trained, can heroes be made?  

I don’t know.  


Yet I appreciated the Museum of Jurassic Technology’s take on this — their permanent exhibit of Soviet space dogs, the test subjects that preceded Yuri Gargarin.  In it, they treat these dogs with all that honor that befalls a hero.  


You can even buy a t-shirt:


In honor and memory of the twenty-one brave canines who ventured before us into the stars, we present the Dogs of the Soviet Space Program t-shirt. Emblazoned with the image of a pressure suit prototype, similar to the ones worn by the faithful heroes, the text below reads: All the Universe is full of the lives of perfect creatures. - K. E. Tsiolkovsky

Reading Old Yeller for my current gig (not an adaptation) brought me to the strange idea of animals as heroes.  Strange because, whether it be K9 units or a War Horse, the animals are trained to do heroic acts.  A human hero’s greatest attribute is their innate selflessness.  Can that be said of heroic animals?  And if selflessness can be trained, can heroes be made?  

I don’t know.  

Yet I appreciated the Museum of Jurassic Technology’s take on this — their permanent exhibit of Soviet space dogs, the test subjects that preceded Yuri Gargarin.  In it, they treat these dogs with all that honor that befalls a hero.  

You can even buy a t-shirt:

In honor and memory of the twenty-one brave canines who ventured before us into the stars, we present the Dogs of the Soviet Space Program t-shirt. Emblazoned with the image of a pressure suit prototype, similar to the ones worn by the faithful heroes, the text below reads: All the Universe is full of the lives of perfect creatures. - K. E. Tsiolkovsky

The great Neil Armstrong has died. 

But the photo you’re seeing in his obit - the majestic portrait of a man on the moon or stepping off the ladder - isn’t Armstrong.  It’s Buzz Aldrin.  Why?  Because Neil was the one taking most of the pics. There are only a few of him on the moon, and none are media headshot worthy.  All the above photos were attributed to be of Neil today.  None are.  They are by him.

I came across this fact numerous times in my research for In the Event of a Moon Disaster. The quiet engineer who delighted in his profession rather than his celebrity was never comfortable in photos, or in the spotlight. And when he got home the attention on him and not the science behind what he did confused and infuriated him.  

So when Aldrin took a turn on Dancing With the Stars, Neil was on his ranch probably with the phone off the hook.  He not only rarely gave interviews, he used every excuse not to sign autographs, including not showing up nor staying long at public functions.

In fact, who got one of the rare, last interviews with Armstrong?  Alex Malley, chief executive of Certified Practicing Accountants of Australia.

Update: Copy Editors, already a stressed out bunch, are getting pissed: “Keep in mind as you put together your Neil Armstrong packages tonight…”

The Agony/Ecstasy of the Drone Pilot

Just the quotes from Elisabeth Bumiller’s profile of drone pilots — who soon will outnumber active fighter and bomber pilots combined.

“I see mothers with children, I see fathers with children, I see fathers with mothers, I see kids playing soccer.”

“I feel no emotional attachment to the enemy,” he said. “I have a duty, and I execute the duty.”

“You see them wake up in the morning, do their work, go to sleep at night.”

“There was good reason for killing the people that I did, and I go through it in my head over and over and over.”

“I’ve seen some pretty disturbing things.”

“Whatever decisions you make, good or bad, there’s going to be actual consequences.”

“It’s nice to be up in the air.”

From the Saatchi Gallery:

The American photographer Diane Arbus died today in 1971. Norman Mailer said that “Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.”
Here’s one of her most famous photographs, “Jewish Giant at Home with His Parents in the Bronx, NY, 1970.”

From the Saatchi Gallery:

The American photographer Diane Arbus died today in 1971. Norman Mailer said that “Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.”


Here’s one of her most famous photographs, “Jewish Giant at Home with His Parents in the Bronx, NY, 1970.”

I never met the elderly man who lived down the block.  I knew that he fussed about his automatic sprinklers a lot.  And that his wife had died some years back.  When he passed away, his kids put on an estate sale.  Instead of hiring an outfit to do it, they did it themselves. 

There were four of them.  A thin woman at the front table taking money.  Her sister who wouldn’t come down on any price.  Their other sister who sat in a chair in the kitchen, picking through the utensil drawer and trying to look like someone too busy to approach.  And their overweight brother whose domain was the garage.  He’d haggle.  He enjoyed it.  He had a full cooler of beer next to his lawn chair.  The only time he’d sit in it was to open another beer. 

The kids had put price tags on everything, save for one room where they were keeping their own take-aways – expensive furniture and appliances not for sale.

Estate sales are a gold mine for source material.  This one didn’t disappoint even though I bought a locked safe, took it home and opened it to find nothing.  (I still haven’t changed the combination.  I dream about that old man coming back to rob me of my grandfather’s two-dollar bills.) 

It’s what I didn’t buy that sticks with me.  The house was a museum of a long life.  Actually two lives – one of a couple, then one of a lonely man.  He built ships in bottles, and out of them.  Ships were everywhere. 

He was a decorated Naval officer who proudly hung his medals in frames.  He traveled with his wife across the globe.  She was stunning when they were young in Japan and Paris and Italy, yet her features dropped markedly after 1975.  After 1978 the pictures of her stop.  Then it’s mostly photos of him with tour groups, veteran functions, his grandchildren, etc. 

I know this because I looked through all of their photo albums – they all were for sale with the photos still inside.  Even his medals had price tags on them.

When we die our things of value are marked down and scattered in sales such as these.  The new owners can’t know their prior value.  And, apparently, sometimes not even the inheritors know it, or want to know it. 

Looking over this man’s stuff reminded me of another item I found at a bookstore’s going-out-of-business sale – the above embroidery.  The knitter had it framed in order to give it someone special, on behalf of many other people.  I didn’t read what was on the back until I got home. 

I bought it for two bucks.

“On Tuesday, Mr. Sandler, 48, of Ashland, Ore., removed his Elmo head from atop his own and tried to explain himself.”
NYT

“On Tuesday, Mr. Sandler, 48, of Ashland, Ore., removed his Elmo head from atop his own and tried to explain himself.”

NYT

From the research files of writer Mike Jones.

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